Jazz musicians count a lot of freaks in their ranks. The most eccentric of them all might be Roland Kirk, and this could be his most far-out recording.
Three-Sided Dream is a concept album, the only true jazz concept album. In jazz, there were many album-length suites (eg. Duke's late 50's LPs) and thematic song collections (eg. Sinatra's "Songs for Swingin' Lovers"), but this is a concept album in a rock sense - united on many different levels, from the artwork and album presentation to the aural snippets joining the songs.
It is well-known that Kirk was very receptive to ideas that came to him in dreams; the most famous one is his trademark ability to play three horns at once. This LP is Kirk's tribute to his source of inspiration - his dreams. There are attempts to represent his dreams "in audio color", as the title would have it - surrealistic conversation bits, musique concrete snippets etc.
The physical presentation of the album is also a part of the concept: Three-Sided Dream is a double LP, but only three sides have music on them, the fourth is a blank 12-minute track with ~30 seconds of conversation at the very end. Each of the three sides is bookended with "Dreams". Unfortunately, digital presentation does not preserve these things.
There are two different versions for each of the tunes, The Entertainer even bearing it in the title ("done in the style of..."). I guess this is an attempt to represent transformations of the familiar pieces in dreams. BTW, Freaks For The Festival is a reworking of Kirk's signature piece "Three for the Festival", named so for the three-horns-at-once theme.
Many of the things Kirk does here would be considered gimmicks by the "real jazzmen" - like tampering with the physical format of the record. So, the aesthetic sensibility is more rock than jazz. But the music itself is pure jazz - electrified and funky, but still real jazz, not fusion or 70s-Miles-style avantgarde.
Rahsaan Roland Kirk - The Case of the Three-Sided Dream in Audio Color, 1975
95mb on megaupload or badongo
2. Bye Bye Blackbird
4. High Heel Sneakers
6. Echoes Of Primitive Ohio And Chili Dogs
7. The Entertainer (Done In The Style Of The Blues)
8. Freaks For The Festival
10. Portrait Of Those Beautiful Ladies
12. The Entertainer
15. Portrait Of Those Beautiful Ladies
17. Freaks For The Festival
19. Bye Bye Blackbird
Wednesday, July 30, 2008
The Carl Stalling Project, Vol.1: Music from Warner Bros. Cartoons 1936-1958
Amazon review: For fans of Bugs Bunny, Daffy Duck, et al., this is the essential cartoon soundtrack as well as a monument to surrealism. During his 22 years as a composer for Warner Bros. animated shorts, Stalling invented the musical vocabulary of cartoons. Producer Hal Willner has lovingly assembled a sonic collage that showcases Stalling's compositional genius and uncanny ability to borrow a tune. It's a whirling collection of random moments, chock full of music you never knew you knew, from Bugs Bunny's theme from "Rabbit Fire" to Raymond Scott's "Powerhouse" to Stalling's own "Woo! Woo!" Also included in the mix: outtakes from recording sessions, and several complete scores.
AMG review: The first volume in The Carl Stalling Project series is a revelation; more than just an essential part of a Warner Bros. staff that generated some of the finest and most inspired productions in the history of animation, Stalling was a visionary whose work deserves consideration among the finest American avant-garde music ever recorded. As these 15 selections from WB cartoons dating between 1936 and 1958 attest, his cut and paste style — a singular collision between jazz, classical, pop, and virtually everything else in between — was unprecedented in its utter disregard for notions of time, rhythm, and compositional development; Stalling didn't just break the rules, he made them irrelevant. That in the process he created music beloved by succeeding generations of children is more impressive still — perhaps even unwittingly, Stalling introduced the avant-garde into the mainstream, and as popular music continues to diversify and hybridize, his stature as a pioneer rightfully continues to grow.
Vol.1 - 192kbps, 107mb
Vol.2 - 320kbps, 174mb
Tuesday, July 8, 2008
Lord Creator - Jamaica Time
160kbps, 45mb at sharebee
1. Jamaica Farewell (Original)
3. Bad Lucky
4. Blowing In The Wind
5. Don't Go Away
6. End Of The World
7. Independent Jamaica
8. Sweet Jamaica
9. Island Woman
10. Yellow Bird
11. Queen's Canary
12. Ma And Pa