Showing posts with label bob quine. Show all posts
Showing posts with label bob quine. Show all posts

Thursday, August 6, 2009

Richard Hell and the Voidoids - Destiny Street

I did not mean to continue the Quine retrospective, but there are some new developments with his recorded legacy.

It is well known that Richard Hell was unhappy with the Voidoids' second LP. Destiny Street was recorded in 1982, in a difficult period for Hell. ...the record is heavily guitar-laden - when I couldn't muster the self-possession to leave the house I'd call the studio and tell them to lay down another guitar track - says Richard himself in the original liner notes.
And this is from a Quine interview:
Q: I read that sometimes Richard Hell would cancel or even no-show when you were recording, and that you would just lay down more and more guitar tracks. If this is true, did you help mix these and decide which tracks were used in the final cut?
A: When we were working on Destiny Street in early '81, Richard did totally disappear for a week (that's the only time that ever happened). We had already done the basic tracks. But the time was already booked, so Naux and I went in and did a LOT of overdubs during that week (too many!).
Then Richard reappeared and did his vocals and fixed a few bass parts. Then over a year went by before the album was mixed. I was invited to participate but declined — I was busy, and couldn't face dealing with the nightmarish number of overdubs I'd done (backwards guitars, constant feedback, etc.). So I wrote down some of my opinions on how the record could be mixed, some of which were followed.
My one basic misgiving about the final mix is that many of the guitars on the "live" basic tracks were fairly inaudible, buried under overdubs that were only meant for adding subtle textures. But over the years I got used to that mix, and it's difficult for me to imagine the album sounding any other way, for better or worse.


Recently, Richard Hell came across the original tapes for the album and decided to do it justice: Using those original rhythm tracks as the foundation, Hell recorded fresh, new vocals, did some editing, gathered new musicians of the highest caliber for the lead guitars, and re-mixed all the elements to produce Destiny Street Repaired - says the official release. The new musicians mentioned are Marc Ribot, Bill Frisell, and Ivan Julian.

In general, I would be excited to hear a "second take" like this one, especially with the star guitar players Hell picked. I recently posted Gerry Mulligan's second take on the Birth of the Cool, and I think it's a great effort, very much worth hearing. However, there is one caveat: those second takes should be an addition, not a replacement - what would you say if Mulligan's Re-Birth of the Cool was the only version available? Unfortunately, this is the case with the Destiny Street Repaired. Hell, the copyright owner, deliberately allowed the original to drop out of print and has no plans for bringing it back. A number of fans voiced their concerns: both of the original guitar players, Naux and Quine, are dead, and messing with their legacy like this is unfair. I would agree, except for the fact that it allows me to post the original officially-out-of-print album without any misgivings. Perhaps it should be titled Destiny Street DON'T FIX WHAT AIN'T BROKE.


Richard Hell and the Voidoids - Destiny Street
High VBR, 60mb on depositfiles
1. The Kid with the Replaceable Head
2. You Gotta Move
3. Going Going Gone
4. Lowest Common Denominator
5. Downtown at Dawn
6. Time
7. I Can Only Give You Everything
8. Ignore That Door
9. Staring In Her Eyes
10. Destiny Street

PS See The Hound's posts with Quine's unreleased recordings from 2004, shortly before his passing: one, two. Also, a Hell ROIR bootleg, Quine plays on tracks #4-9 and did overdubs on #11 and 14.

Friday, October 19, 2007

Lloyd Cole - Lloyd Cole

The last installment in my Quine retrospective.

LLOYD COLE (Capitol) Alternate title: Robert Quine, whose six cuts here prove a smart person can still get away with this shit while the other seven demonstrate why even a smart person has to. Except on the herky-funky "Waterline," which offers history nothing but a solo, Quine doesn't just play superbly. Torturing Cole's hummable tunes and easy little folk-pop guitar hooks until they confess, he lays a saving aura of wisdom around the postgraduate melancholy, stretching the songs toward the tensile intelligence the boss so admired on Legendary Hearts. And then he goes home. Who was that masked man? - review by Robert Christgau

Cole's 5.3 hcp got him a respectable tied 11th place on Golf Digest's top 100 list of musicians (a tie with Alice Cooper) *


Lloyd Cole - Lloyd Cole
REUP: 72 mb on mediafire
1) Don't Look Back
2) What Do You Know About Love?
3) No Blue Skies
4) Loveless
5) Sweetheart
6) To The Church
7) Downtown
8) A Long Way Down
9) Ice Cream Girl
10) Undressed
11) I Hate To See You Baby Doing That Stuff
12) Waterline
13) Mercy Killing

Sunday, October 14, 2007

Jody Harris and Robert Quine - Escape

Robert Quine playing with Jody Harris, who appeared on this blog before as a guitar player on James White and the Blacks' LP. Harris been with James White/Chance from the beginning, appearing on other Contortions records, including the notorious No New York LP; he also played with other "downtown" bands and personalities - Golden Palominos, John Zorn, Lydia Lunch, and his own instrumental band the Raybeats.
This one, Escape, is quite experimental - it's more of two guys fooling around in the studio while the tape is rolling kind of record, somewhat like Fripp's No Pussyfooting stuff. Quine himself called the first track, 13-minute-long Flagpole Jitters, "intentionally abrasive" or some such. It sounds like something a college-radio DJ would put on to broadcast his coolness credentials while he's out with a reefer.


Jody Harris and Robert Quine - Escape
66 mb on sharebee
1. Flagpole Jitters
2. Don't Throw That Knife
3. Up in Daisy's Penthouse
4. Termites of 1938
5. Pardon My Clutch

Thursday, October 11, 2007

Tom Waits - Rain Dogs

There's not much to say about this one. The best Waits LP, possibly the best thing that the 80's produced. I first heard it in high school, and this is the only album that I did not outgrow. A friend lent me a Hendrix tape, and on the other side it had this Waits dude. All other music from my high school years became obsolete or irrelevant, but this one is truly timeless. I don't know why I should share it, I bet everybody has it already. But for the sake of Quine retrospective, I'll put it up. Quine only plays on Blind Love (with Keith Richards) and Downtown Train. Marc Ribot is playing here on most songs, and all other Waits guitarists try to emulate his sound here ever since.
P.S. Some useless pop-culture trivia: in the movie Eternal Sunshine of the Spotless Mind, there is an episode where the main character is getting his memories erased, and all the things that he is forgetting flash on the screen in sequence. One of them was the cover of Rain Dogs.
I was horrified, I truly was. How can someone voluntarily forget Rain Dogs? For me, it would be taking a cornerstone from under myself.
P.P.S. For the record, I think that the greatest guitar solo in history is played by Ribot on Jockey Full Of Bourbon.


Tom Waits - Rain Dogs
220VBR, 90mb on megaupload, rapidshare, or mediafire
01. Singapore
02. Clap Hands
03. Cemetery Polka
04. Jockey Full Of Bourbon
05. Tango 'Til They're Sore
06. Big Black Mariah
07. Diamonds & Gold
08. Hang Down Your Head
09. Time
10. Rain Dogs
11. Midtown [Instrumental]
12. 9th & Hennepin
13. Gun Street Girl
14. Union Square
15. Blind Love
16. Walking Spanish
17. Downtown Train
18. Bride Of Rain Dog [Instrumental]
19. Anywhere I Lay My Head

Tuesday, October 9, 2007

Quine with John Zorn


Filmworks V: Tears of Ecstasy
REUP: 160kbps, 68 mb on mediafire

Music recorded and mixed in twelve hours! Forty-eight sound cues (roughly one minute long each) for Tears of Ecstacy, a 1995 film by Japan's leading gay porno director, Oki Hiroyuki. Featuring Quine, Zorn, Marc Ribot and Cyro Baptista. This album mixes world beat, surf, hard rock, ambient, industrial, noise, classical and jazz. - says Quine discography.

It was toward the end of September 1995 that I first got the call for this one. The concept was simple — a one-hour film divided into sixty one-minute sequences. The director wanted sixty one-minute pieces of music to go with it, and as far as he was concerned, anything goes. The director wanted the music by the first of October, only one week away. I agreed immediately. The idea of recording and mixing these cues in one day seemed a real challenge, and with the right band it would be a lot of fun. This clearly was the right band, because it was a fucking blast. Ribot, Quine and Cyro have worked with me for years, and at least one of them appear on virtually every film scoring job I've ever done. They are the best of the best.
Drawing upon their many talents, there's a wide range of styles here — rock, noise, ambient, world music, jazz, industrial, but mostly it's all a freak hybrid that belongs to none of these categories. Themes will repeat now and again with variations or alternate arrangements (Morricone, the master, once told me that you really only need one theme to score a film properly) and of course there is plenty of room here for the players to "stretch out," even within the limitations of a one-minute time frame. - says Zorn himself

More Zorn scores with Quine on guitar:
The first in Zorn's Filmworks series, Filmworks 1986-1990 with a review and track listing/liner notes, Quine plays on #1-18.

Also, The Bride and Spillane from the excellent MoodswingsMusic blog.

Robert Quine with Lou Reed

Quine was a long-time Velvet Underground fan and disciple. He attended many shows, often taping them; recently, the highlights from these tapes were issued as The VU Bootleg Series Vol.1: The Quine Tapes (read Robert's own liner notes here). So, when in the early 80s Lou Reed invited him to collaborate, Quine jumped on the chance. This was a difficult time for Lou Reed, who was struggling with personal problems and with artistic direction after several disappointing albums in the late 70s. The first album with Quine, The Blue Mask, proved to be a smash comeback for Lou Reed. It featured great songwriting, direct and personal, free from the Transformer-era glam posing. More importantly, the album was excellent musically: Quine understood and loved Lou's music and was able to provide sensitive and selfless backing to the frontman and to contribute inspired, searing solos. Reed was apprehensive about his own guitar abilities and preferred to stick to strumming-and-singing on his 70s albums; Quine encouraged Reed to play lead more, to some great results. The record is mixed with Lou Reed and Quine in separate channels, so you can really appreciate the interplay.


Lou Reed - Blue Mask
megaupload or mediafire
VBR150
1. My House
2. Women
3. Underneath The Bottle
4. The Gun
5. The Blue Mask
6. Average Guy
7. The Heroine
8. Waves Of Fear
9. The Day John Kennedy Died
10. Heavenly Arms
Also available here.


In 1983 The Blue Mask was followed by a European tour that gave us a great live record, with Reed and Quine in excellent form throughout, and a fine cross-section of songs from Reed's career.

Lou Reed Live In Italy
On rapidshare by El Monito Records blog.
1. Sweet Jane
2. I'm Waiting For My Man
3. Martial Law
4. Satellite Of Love
5. Kill Your Sons
6. Betrayed
7. Sally Can't Dance
8. Waves Of Fear
9. Average Guy
10. White Light/White Heat
11. Some Kinda Love/Sister Ray
12. Walk On The Wild Side
13. Heroin
14. Rock And Roll

Unfortunately, during the tour Lou Reed started to see Quine as a threat to his bandleader/frontman position, as more and more guitar heads came just to hear Quine play. The next album, Legendary Hearts, proved to be their last - Quine was extremely unhappy with the final mix; he felt that Reed mixed out his guitar parts. Thus the very fruitful, but short-lived Reed-Quine alliance ended.

There is a full Lou Reed retrospective over at http://kar4agin.blogspot.com/.

Robert Quine solo

Two more Robert Quine records. The first is a collaboration with Ikue Mori, a well-known drummer from the NY "downtown jazz" scene, formerly with DNA, John Zorn etc., and Marc Ribot, who needs no introduction. A dreamy, atmospheric record; Ikue Mori mans the drum machines while the guitarists pass melodies and textures to each other.


Ikue Mori, Robert Quine, Marc Ribot - Painted Desert
REUP 11/11/14: zippyshare or uloz.to
1. Mojave
2. Medicine Man
3. Desperado
4. Cheyenne
5. El Dorado
6. Santa Ana Excursion
7. Gundown
8. Painted Desert

Another Quine recording with drummer Fred Maher, who played on the second Voidoids album and is also known from his work with Laswell (Material, Massacre) and Lou Reed. Excellent instrumental guitar music, very stripped-down sound.

Robert Quine with Fred Maher - Basic
REUP 2/5/2014: On depositfiles
1. Pickup
2. Bluffer
3. Fala
4. Stray
5. Summer Storm
6. '65
7. Bandage Bait
8. Dark Place
9. Despair
10. Village

Wednesday, October 3, 2007

James White and the Blacks - Off White

An album by James Chance AKA James White, the ultimate funk-noise purveyor. One of the many projects to which Robert Quine lent his guitar skills after the dissolution of the Voidoids. Quine only plays on Almost Black Pts. 1+2 and Off Black, it's Jody Harris on the rest of the album.
This is an expanded edition, including an alternate mix of Contort Yourself, three live tracks from Soul Exorcism bootleg, and a rare "Chance-murders-christmas" recording. I can't help but brag that I have this on vinyl.


James White and the Blacks - Off White
Personnel and song details
1. Contort Yourself (August Darnell Remix)
2. Contort Yourself
3. Stained Sheets
4. (Tropical) Heat Wave
5. Almost Black Part 1
6. White Savages
7. Off Black
8. Almost Black Part 2
9. White Devil
10. Bleached Black
11. Christmas With Satan
12. Disposable You (Live)
13. Don't Stop Till You Get Enough (Live)
14. Exorcise The Funk (Live)


Get it as a part of Irresistible Impulse box set: CDs 1 and 2 (Buy The Contortions / Theme from Grutzi Elvis / Off White / selections from Soul Exorcism), CDs 3 and 4 (Sax Maniac / selections from Melt Yourself Down / Flaming Demonics / The Judy Taylor Sessions).

The Voidoids

A logical place to start the Quine retrospective would be with the music that made him famous - his work with Richard Hell. The students of New York punk would know that Hell, together with the guitarist Tom Verlaine, was a founding member of the great, groundbreaking band Television. Unfortunately, tensions between Hell and Verlaine forced Hell out of the band. After a stint as a bassist with the Heartbreakers (the post-NYDolls Johnny Thunders band), Hell left them to pursue his own direction and started assembling the Voidoids.
In the meantime, Robert Quine completed a law degree and made a few failed attempts at living a square life. His stint as a tax preparer in New York finally pushed him over. He played in bands while in college, and he decided to return to playing. Fortunately for all of us, a chance acquaintance with Hell grew into an invitation to join his new band.
Richard Hell's volatile personality and the bohemian environment of downtown Manhattan were responsible for the rise and fall of the band. They made the Voidoids' music gritty, edgy, dangerous, and gave us their brilliant debut album - "Blank Generation" - on which Hell's poetry meshed with swinging, twitchy rhythms of the rhythm section and blasts of guitar skronk from Quine and Ivan Julian, the second guitarist. The combined pressures of music industry indifference, the hardships of touring and the members' drug habits eventually crushed the band.


Richard Hell and the Voidoids - Blank Generation
LINKS ARE REMOVED UPON DMCA COMPLAINT
1. Love Comes In Spurts
2. Liars Beware
3. New Pleasure
4. Betrayal Takes Two
5. Down At The Rock And Roll Club (Alternate Version)
6. Who Says?
7. Blank Generation
8. Walking On The Water
9. The Plan
10. Another World
11. I'm Your Man
12. All The Way

The artwork above is the original cover for the album; a CD reissue adds two songs (I'm Your Man and My Way) and a new cover.



A compilation of Hell's

Spurts: The Richard Hell Story
Reviews and song details
LINKS ARE REMOVED UPON DMCA COMPLAINT
1. Love Comes in Spurts -- Neon Boys
2. That's All I Know -- Neon Boys
3. Chinese Rocks -- Heartbreakers
4. Blank Generation -- Richard Hell & The Voidoids [*]
5. Liars Beware -- Richard Hell & The Voidoids [*]
6. Walking on the Water -- Richard Hell & The Voidoids [*]
7. Love Comes in Spurts -- Richard Hell & The Voidoids [*]
8. Kid with the Replaceable Head -- Richard Hell & The Voidoids [*]
9. Crack of Dawn -- Richard Hell & The Voidoids [*]
10. Time -- Richard Hell & The Voidoids [*]
11. Ignore That Door -- Richard Hell & The Voidoids [*]
12. Lowest Common Denominator -- Richard Hell & The Voidoids [*]
13. Downtown at Dawn -- Richard Hell & The Voidoids [*]
14. Dim Star Theme -- Dim Stars
15. Baby Huey (Do You Wanna Dance) -- Dim Stars
16. Monkey -- Dim Stars [*]
17. Night Is Coming On -- Dim Stars
18. Oh -- Richard Hell & The Voidoids [*]
19. She'll Be Coming (For Dennis Cooper) -- Richard Hell
20. Rip Off -- Dim Stars
21. Blank Generation (At CBGB) -- Television

Recordings on which Quine plays are marked with [*]

Tuesday, October 2, 2007

Robert Quine


Robert Quine, 1942-2004


Robert Quine, a true punk guitar virtuoso if there ever was one, and one of the most original guitar players emerging from the CBGB scene. He was the founding member of Richard Hell's Voidoids, responsible for the biting, edgy sound of the band.
Quine's playing was informed by Coltrane and Albert Ayler as much as by the Rolling Stones and the Velvet Underground, who inspired other CBGB musicians. His bearded, balding, bespectacled image was also at odds with the punk fashions of the time. He was the calm eye of the storm that was the Voidoids.
After the Voidoids fell apart, Robert Quine continued to play and record, collaborating with many notable musicians. I will try to cover some of these recordings in the retrospective. Robert descended into depression after the death of his wife Alice in 2003. He was found dead in his apartment early in June 2004, having died of heroin overdose on May 31st.

See also
http://www.robertquine.com/selected.html
http://www.furious.com/perfect/quine/index.html
http://www.quine.org/robertquine.html